Capital of Culture

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La Princesse, by Eric the Fish (2010), via Flickr

La Princesse, by Eric the Fish (2010), via Flickr

It’s been a little while since I posted. Just because the previous post was the 100th (you have been counting, right?) doesn’t mean I’m quite finished with Liverpool Landscapes. I’m currently drafting the second Liverpool Maps post, and also preparing for a rather important personal event coming in the next few weeks. So I hope to get that post to you very soon, and then there’ll be another short gap before you hear from me again (say, late April).

But before I go, here’s a couple of snippets for you to enjoy.

Capital of Culture a success

Impacts 08, as regular readers will know, is a study being carried out  by the University of Liverpool and Liverpool John Moores University to study Liverpool in the wake of 2008′s Capital of Culture.

They’ve already published a couple of reports, but the latest one gives details about the overall experience of the CoC title. A few choice stats (taken from the Guardian report):

  • 34% increase in tourists (to 9.7m);
  • 85% of Liverpool residents said it was a better place to live;
  • 97% of visitors said they felt welcome.

This is a positive reaction, as there were many detractors in the years leading up the event. I felt, as the Guardian reports, that there were many who worried what would actually happen. There were forever the cynics who’d already decided we’d cock it up.

I remember one Pythonesque encounter on Radio Merseyside:

“One revolutionary pop band does not make a Capital of Culture.”

“What about the football teams?”

“Well, yeah, but two world class football teams and one revolutionary pop band do not make a capital of culture.”

“And the architecture?”

“OK. 2,500 listed buildings, two world class football teams, one revolutionary pop band…”

“And two of the greatest cathedrals-”

“…and two of the greatest cathedrals in the world do not make…”

And so it went on. I paraphrase, of course, but that was the gist of the thing.

Anyway, you can download the report from the Impacts 08 home page.

Liverpool Town Hall

I’ve pointed out Pete Carr’s photography before, but that’s no reason not to mention another. Here’s a great one of the town hall. Pete admits it’s hard to get a shot of the hall without Martin’s Bank in the background, but the bank’s such a great building that it serves as a classy backdrop to this tight shot.

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The University of Liverpool and John Moores University are assessing the impact of the 2008 Capital of Culture year in a project called Impacts 08. Research has gone on since 2005, and is now at the stage of judging the effects the year had on the city of Liverpool.

Already a whole load of reports are available divided into themes of economics, taking part, culture and the arts, as well as others. My eye was naturally drawn to Liverpool 08 – Centre of the Online Universe, which covers the web and social media (unfortunately my own sites don’t get a mention :) ).

You can follow Impacts 08 on Twitter, or on the Impacts 08 blog.

I was going to pick and choose a couple of read, but to be honest, these all look like interesting stuff! Let me know what you think of these in the comments section below. Do they reflect your experience? Did they miss anything out?

Trading Places: A History of Liverpool Docks

Trading Places - a history of Liverpool's dock system

Trading Places: A history of Liverpool docks

This looks like a fairly old corner of the Liverpool Museums site, but Trading Places is a simple and informative interactive map of Liverpool’s dock system and its history. The left-hand menu highlights the docks involved in trade with different parts of the world, as well as the docks’ names and the very reason for the dock systems construction. There’s also a timeline of significant dates along the bottom.

This is a great little tool, and its slightly old-fashioned look and pop-up windows just reflects the simplicity of getting the information across. I’ve been playing around with interactive web maps for a good few years now, so it’s great to see what can be achieved very simply. There’s even an accessible version (click on “begin the voyage”)!

Kudos to Laura Davis’ blog on the Daily Post website, whose advent calendar pointed me to this site, and which has been an lovely little source of historic websites over the last week! Trading Places is the destination behind door 11.

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As you might gather, it’s all about the awards this week – bidding and winning.

First up, it’s the brilliant International Slavery Museum, which gained an honourable mention at the UNESCO Madanjeet Singh Prize for the Promotion of Tolerance and Non-Violence, awarded every two years. The museum achieved this through its ongoing work to commemorate the lives and deaths of millions of enslaved Africans, and also the legacies of slavery (racism, injustice, exploitation). François Houtart (Belgium) and Abdul Sattar Edhi (Pakistan), from Belgium and Pakistan respectively, shared the $100,000 prize itself this time.

The Black-E (formerly the Blackie) arts centre in the Great George Street Congregational Church has been awarded £50,000 of Heritage Lottery Funding to preserve its archive. The archive consists of 57,000 photos and slides and 22 filing cabinets of documents, and the project will take three years to complete. Of most interest to me, and I should think to you, is that at least some of these images and documents will end up online. As Wendy Harpe, a founding member of the team, puts it: “we’re not preserving this stuff just for the sake of it”. In addition, parts of it will be put on CD or DVD, although the article doesn’t say whether these will be available outside the Black-E itself. The physical archive will remain at the Black-E or somewhere else in the city. What’s notable is that the current Black-E website has a holding page for a ‘Museum’ section, which would be the natural place for the archive. Looking forward to seeing what comes out of this!

The final award goes to the PR campaign which kept the phrase ‘Capital of Culture‘ ringing in your ears all last year. The campaign, a co-operation between Liverpool City Council and the Liverpool Culture Company, was awarded the Best Public Sector Communications Campaign at the How Do awards this week. I think it’s clear to everybody just how much coverage the event got, locally and nationally, and it’s even been hailed the most successful Capital of Culture programme ever by the European Commission! More facts and figures about how great it was on the ArtInLiverpool blog linked to above.

Liverpool is now bidding to become the first English UNESCO City of Music. Only four other cities can lay claim to the title, including Glasgow, Bologna and Seville. Councillor Warren Bradley pinned down the importance of music to Liverpool: “Music is in Liverpool’s blood… from the days of sea shanties and Merseybeat to classical and dance.” Not sure when the ‘days of sea shanties and Merseybeat’ were, but you get his point. The most exciting thing for me is that a four month long mapping exercise will show where music is being made and played, and submitted in support of the bid. To be honest, they could do worse than to have a look at the Popular Musicscapes project funded by the AHRC and mentioned in one of my own posts a couple of years ago. Hopefully they visited the excellent Beat Goes On exhibition at World Museum Liverpool.

Well, that’s quite a long post! Any other awards we should go for? :)

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Liverpool is no longer seen as being part of ‘the north’ – rather it has carved out irs own niche as a unique place, alongside places such as Edinburgh. To capitalise on this turnaround in its image and reputation, and in the light of Capital of Culture 08, a £150,000 branding exercise will see a new post-08 logo being plastered over a fly-over near you. You can also wear it on a sticker or a pin badge. The Liverpool Echo has details of the research and branding.

Artist's impression of Lime Street Gateway development

Artist's impression of Lime Street Gateway development

Liverpool has had its fair share of new skyscrapers in the past few years. Now the steel and glass replacement for Concourse House is no longer on the cards a debate is growing over whether Lime Street looks better or worse without a tall building on its frontage. More of fewer tall buildings in the city centre? The tower discussion goes on at Liverpool.com

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