Museums

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Photo of the roof of the atrium in World Museum Liverpool

World Museum Liverpool, by Secret Pilgrim via Flickr

First some museum news: the Echo is reporting that National Museums Liverpool had to pay landowners Downing £750,000 as the new Museum of Liverpool building broke a covenant drawn up in 1963.

The covenant dictated that no building be constructed within 40 feet of the River Mersey, and any building here would not be more than 40 feet tall. This was to maintain the lines of sight between the Port of Liverpool building and offices at the Albert Dock. This document was signed in 1963 when the Mersey Docks and Harbour Board sold the land the museum now stands on to Liverpool Corporation.

It seems that NML’s David Fleming chose to pay the money upfront before Dowling were tempted into suing for a predicted £70,000.

Visitor numbers up for Liverpool museums

Better publicity for NML comes in the form of visitor numbers to all the museums on Merseyside, which rose to 2.2m in 2009 from just over 2m in 2007.

Of course, 2008 was going to take some beating, so it’s good to know that the trend from the last ‘normal’ year is a positive one. You can only imagine that with the new museum next year, visitor numbers will increase again.

More details and figures for the individual museums are available on the Art in Liverpool blog.

Lewis’s lives on – for a little while longer

Now that Lewis’s has announced it’s closing down, memories turn to its ‘golden years’ in the last century.

A new exhibition by photographer Stephen King is being shown at the Conservation Centre, focussing on the fabled ‘Fifth Floor’. This is where the old cafe was, along with the biggest hair salon in the world. It’s also home to an amazing range of (now) retro design – bright colours in the post-WWII era, yellow walls, orange ceilings and blue chairs, and egg-shaped hair-dryers and 1950s lino floors.

Photographs also include portraits of Lewis’s employees past and present, to breathe some life into the eerie space.

The exhibition runs from 26th February until 30th August. You can follow the exhibition on the Lewis’s Fifth Floor blog.

Abbey Road studios finally listed

You may be aware of the current saga of Abbey Road studios in London; its future uncertain while rumours flew that it would be sold off by owners EMI.

Well, the Culture Minister Margaret Hodge has announced that she would be taking on board English Heritage’s recommendations, and would be listing the Georgian townhouse which contains the studios.

English Heritage first proposed that the building be listed in 2003, but had been ignored until this great publicity opportunity fell at the minister’s feet. Even EH had originally been reluctant to recommend listing, but current listing criteria include ‘historic’ as well as ‘architectural’ significance. And Abbey Road certainly has that.

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As you might gather, it’s all about the awards this week – bidding and winning.

First up, it’s the brilliant International Slavery Museum, which gained an honourable mention at the UNESCO Madanjeet Singh Prize for the Promotion of Tolerance and Non-Violence, awarded every two years. The museum achieved this through its ongoing work to commemorate the lives and deaths of millions of enslaved Africans, and also the legacies of slavery (racism, injustice, exploitation). François Houtart (Belgium) and Abdul Sattar Edhi (Pakistan), from Belgium and Pakistan respectively, shared the $100,000 prize itself this time.

The Black-E (formerly the Blackie) arts centre in the Great George Street Congregational Church has been awarded £50,000 of Heritage Lottery Funding to preserve its archive. The archive consists of 57,000 photos and slides and 22 filing cabinets of documents, and the project will take three years to complete. Of most interest to me, and I should think to you, is that at least some of these images and documents will end up online. As Wendy Harpe, a founding member of the team, puts it: “we’re not preserving this stuff just for the sake of it”. In addition, parts of it will be put on CD or DVD, although the article doesn’t say whether these will be available outside the Black-E itself. The physical archive will remain at the Black-E or somewhere else in the city. What’s notable is that the current Black-E website has a holding page for a ‘Museum’ section, which would be the natural place for the archive. Looking forward to seeing what comes out of this!

The final award goes to the PR campaign which kept the phrase ‘Capital of Culture‘ ringing in your ears all last year. The campaign, a co-operation between Liverpool City Council and the Liverpool Culture Company, was awarded the Best Public Sector Communications Campaign at the How Do awards this week. I think it’s clear to everybody just how much coverage the event got, locally and nationally, and it’s even been hailed the most successful Capital of Culture programme ever by the European Commission! More facts and figures about how great it was on the ArtInLiverpool blog linked to above.

Liverpool is now bidding to become the first English UNESCO City of Music. Only four other cities can lay claim to the title, including Glasgow, Bologna and Seville. Councillor Warren Bradley pinned down the importance of music to Liverpool: “Music is in Liverpool’s blood… from the days of sea shanties and Merseybeat to classical and dance.” Not sure when the ‘days of sea shanties and Merseybeat’ were, but you get his point. The most exciting thing for me is that a four month long mapping exercise will show where music is being made and played, and submitted in support of the bid. To be honest, they could do worse than to have a look at the Popular Musicscapes project funded by the AHRC and mentioned in one of my own posts a couple of years ago. Hopefully they visited the excellent Beat Goes On exhibition at World Museum Liverpool.

Well, that’s quite a long post! Any other awards we should go for? :)

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