landscape

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Northwich Salt Factories (part 1), by DaveAdams via Flickr

Northwich Salt Factories (part 1), by DaveAdams via Flickr

The local landscape is playing a major part in snowy events on Merseyside this winter. Salt companies in Cheshire are finding a boom in trade as councils run low on supplies of grit for roads. British Salt Ltd in Middlewich is apprarently running 24/7 and still having trouble keeping up with demand.

Ineos in Runcorn is also helping out, with 12,000 tonnes of salt having already left their depot.

Salt has been an incredibly important industry in Cheshire since at least Roman times, and almost certainly prior to that. Middlewich, Nantwich, Northwich and Winsford are all historic salt mining locations. Middlewich was even called Salinae by the Romans, showing how important the location was for salt (salt was, in turn, of extreme importance during the Roman period. Salt could be used as currency, leading to the modern English word ‘salary’).

PS: Love that amazing HDR photo above, by DaveAdams!

Liverpool 100 years ago

The Echo are starting a new history series, looking at Liverpool 100 years ago. The first, introductory article talks about monarchs, strikes and riots, the Titanic and the Suffragettes.

The main photo in the article shows the Mersey in 1907. Of the major Pier Head/Strand buildings only the Port of Liverpool Building has been built, and it stands head and shoulders above everything else in the viscinity. What a change! This building now feels right in the centre of the commercial district, but at the beginning of the 20th Century this merely meant the docks and the Overhead Railway. The other two Graces, and Tower Building etc, are yet to be contructed, and yet to take their place as the centrepiece in Liverpool’s skyline.

Liscard Hall not to be rebuilt

Finally, news reaches us that Liscard Hall, which burned down in 2008, will not be rebuilt. The Hall was built by Sir John Tobin, one time mayor of Liverpool and successful trader. The grounds of what was once known as Moor Heys House became Central Park in 1891.

Plans now include landscaping of the gardens, and linking them more successfully with the nearby rose garden.

See the Geograph page for National Grid Reference SJ3191 site for a photo of the Hall and Central Park.

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Plan of Liverpool Castle by E.W. Cox, from Wikipedia

Plan of Liverpool Castle by E.W. Cox, from Wikipedia

Last weekend I visited Liverpool Castle. The castle itself was pulled down in 1715 and St George’s Church built in its place. However in 1895 E.W. Cox prepared a reconstruction for the Historical Society of Lancashire and Cheshire, and in the first decade of the 20th Century the first Viscount Leverhulme built a reconstruction of the ruins of the castle in the village of Rivington near Chorley. Today it stands in Lever Park, a large area of woodland on the east bank of Rivington Reservoir.

The replica castle stands on high ground overlooking the reservoir, and though of course it can never quite match the shape of the landscape in medieval Liverpool, the lake acts as a stand-in for the Pool (compare this plan on Wikipedia with the satellite view on Google Maps). The position of the Mersey itself would have been in a west to east direction, on the north side of the two most complete towers at Rivington.

The castle was incomplete by the time of Lord Leverhulme’s death in 1925 and work stopped, though the majority of the intended layout was in place. Today the castle has its fair share of graffiti, and evidence of fires and drinking are all around. However, it’s a great place to go to get a feel for one of Liverpool’s lost gems.

I’m not sure whether this castle is a full-scale replica or not, so anyone who could shed a bit of light on it would be most helpful! If you’ve been there yourself, what did you think of the place?

The Castle is the subject of my first ever Flickr upload! All Creative Commons, so do with them what you like, as long as you credit me (if you use them please link to this blog or Historic Liverpool).

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Quiggins Brooke Cafe, by Indigo Goat via Flickr

Quiggins Brooke Cafe, by Indigo Goat via Flickr

Nina Simon, a museum blogger I greatly admire and enjoy reading, recently posted on the topic of ‘exclusive’ places, and the odd way in which people find them more welcoming than more public spaces. She was referring to museums, which can be both public spaces and yet sometimes seem exclusive (to ‘museum-y people’), but everywhere in the landscape can have a sense of exclusivity, to a greater or lesser extent. There’ll be parts of Liverpool you love going to, and which you like because you know ‘your’ people will be there: those with similar interests, from similar backgrounds, of similar age or profession, even people dressed similarly. There’ll be other places which you’d never set foot in: either you simply never go to that part of town, or you avoid drinking in that pub, going into those shops/restaurants. These places make you feel awkward, out of place, nervous, or it may be that they just don’t ‘do’ what you like. Then there are places which change from one type to another over your lifetime: perhaps you grow into them (that pub again) or out of them (playground, playing fields, the street where you grew up).

You may go with friends, or alone, but they are all places which reinforce your feeling of who you are, and who you aren’t. You can share these special places with the right friend; you get that glow from sharing an exclusive place and introducing someone new to something cool.

When I was but a young geek, my friends and I would go to Palace on Slater Street, for all our collectible card game needs! The place was full of other weird and wonderful shops: antiques, piercings, records, books, junk… Quiggins, in its School Lane incarnation, was similar: I loved the cafe on the top floor, and exploring the darkest, strangest recesses of the other shops. Both those places I knew my parents, and my more ‘mainstream’ classmates, would never go. They were my places, and my friends’ places.

Then there is the garden behind Blue Coat Chambers. I was first taken there by a Geography teacher while on a field trip (with 29 other lads, I’ll have you know). It was a little-known backstreet oasis, with a couple of benches, plants and trees. Neglected, maybe, but not overgrown, it seemed like a bit of a secret getaway. This year I went back, possibly for the first time in (yikes) ten years, with my fiancĂ©e. It’s had a complete makeover, along with the Chambers themselves, but still maintained an air of quiet solitude, somewhere to escape the massive and modern Liverpool One just over the wall. I felt that sense of showing someone that place for the first time, a place which had been shared with me and a handful of (slightly rowdy) others years before.

There are countless other places which are ‘mine’: parks at Croxteth, Springfield, Sefton, Calderstones (and the corners within them), where I spent parts of my childhood, and which I still visit. If I choose to share these places, at the same time I want to keep them secret, and not to share them with too many people lest they lose that exclusiveness, that specialness.

Which are your ‘exclusive places‘? Are they, like in Nina’s examples, museums? Exhibits? A corner of a gallery? Or one of Liverpool’s parks, or independent shops? Are they big places, or small? Do you share them? Where do you feel you are most you, and how does the location of that place in the landscape affect this? Is it near home? Far from home? In a side street? Right in the limelight with the other trendy people?

Will you share it with the readers of some archaeology blog? ;)

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National Museums Liverpool are putting on an exhibition at the Oomoo cafe on Smithdown Road, showcasing the way in which the road has changed over the years, reports Art in Liverpool. The exhibition, which runs throughout September, will consist of photographs and stories – the memories of old and young who live and have lived in the area – to build a picture of Smithdown Road over time.

This is precisely the thing I’m trying to do with Historic Liverpool, and it just goes to show that there is an audience out there for this kind of history, this landscape archaeology of a single road! It’s incredibly important when writing about history in such a public arena that you connect with what the audience wants, and not what you want to tell them (unless you’re confident you have a new and interesting angle, of course!). That this exhibition actively involves the local residents is excellent; they are the main audience after all. It’s a shame I don’t think I’ll be able to make it, but hopefully I can learn something from this. I know my own site is quite one-sided at the moment (I’m trying the interesting angle, which hopefully isn’t covered by other similar sites), so in future I will try to add stuff more directly related to the people of Liverpool. After all, the aim of the site is to give you insight into the history of your area, help you explore and encourage you to get out there and see the place in a new light.

I’m still finalising the comments arrangements, but soon you’ll be able to hold forth on pretty much any page, so please do!

Historical notes: Smithdown, once known as Esmedune, was a manor mentioned in the Domesday Book, and was part of the royal forest of Toxteth, used for hunting.

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I’d like to review two books recently added to the NMR’s Library, which both have use for the local historian, and yet which are very different approaches to explaining their field. The first is Local History on the Ground by Tom Welsh (The History Press, 2009). I picked up this book hoping to recommend a good starting point for learning how to approach local history research. Instead, it’s a much more informative lesson on how not to approach the study of your local area.

Local History on the Ground, by Tom Welsh

Local History on the Ground, by Tom Welsh

Tom Welsh is a senior lecturer in Geography at the University of Nottingham. This shows in his clear writing style, good structure and approachable tone. He also has a number of good tips to help the amateur landscape historian gain access to places often difficult to see. However, the man has a bee in his bonnet, and over the course of the book this bee gets in the way of his point, and it becomes increasingly obvious over time just what the problem is.

The clues come early on with Welsh’s keenness to separate ‘archaeology’ from ‘local history’. To Welsh, archaeology is sytematic, scientific and prescriptive to the point of boredom. Local history is emotional, following-your-nose and instinctive, to the point of passion. Archaeologists get bogged down in the minutiae of sites and objects, and ignore the wider landscape, and are obsessed with the “scare story” that is stratigraphy. Another issue is their insistence of walking in straight lines over the ground (“systematic survey”) which is done to remove any biases and ensure objectivity when identifying features (“Why does ecology not get bogged down with this?”). He’s clearly unaware that the specific technique of field walking has the aim of identifying finds on recently-ploughed land, and has little concern with features. Systematic survey is something different altogether.

“There is a lot of mumbo-jumbo in archaeology” – Welsh, 2009.

After distancing himself from archaeology (the study of the past through interpretation of material remains and environmental data, including architecture, artifacts, features, biofacts, and landscapes (Wikipedia)) he soon begins to reveal just how much vitriol he has for the profession. Archaeologists are defensive of their data, and of the historic environment in general (“a lot of heritage goes unnoticed as a result”). Amateurs are a nuisance to them, and they never (ever) let an amateur contribute to, say, the Historic Environment Record. By Page 91 it has been revealed that archaeologists seem to have snubbed Welsh’s own attempted contributions over the last 30 years. In one example of his work, he suggests that a hilltop site at Auchingoul is not a quarry, as the archaeologists suggest, but a Roman camp (an interpretation dismissed by OGS Crawford 60 years ago). He has done the fieldwork to prove it, and his neat little sketch shows a series of ponds, more ponds, a double pond, and an ‘access to pond’ track. Not sure where the Romans where meant to actually live, or why the famously standardised Roman camp template was abandoned. Perhaps because this site was 150 miles from the edge of the Roman empire.

So having never heard of landscape archaeology, or possessing any understanding of archaeological stratigraphy (he should realise it’s not just between sites, but within sites, and within features!) or fieldwalking, or geoarchaeology (archaeologists ignore geology, apparently), what has Welsh brought to the table in terms of technique? He clearly realises that landscape is the key to interpreting sites, but it seems that houses, tarmac and recent buildings get in the way of this. Despite his great contributions to the field of landscape history, W.G. Hoskins also made the mistake of seeing modern development as a muddying of the archaeological record, rather than an intrinsic part of it. And perhaps some archaeology is too concerned with classification (it certainly was when the majority of Welsh’s sources were written, in the 60s and 70s). But when you are working at a national scale, such similarities between far-flung settlements are actually informative, and help take the researcher further.

Tom Welsh has clearly had a lot of trouble over the years trying to convince archaeologists that his interpretations of sites are superior to the ‘official’ one. However, that is no reason to let your problems get in the way of your book, and in this case it really does. Another author, Margaret Gelling, writes in a similar way when looking at place-name research. While her books are excellent, invaluable texts, her insistence on constantly reminding us that we should keep such research in the hands of the professionals is almost the equal and opposite of Welsh’s idea. It spoils the readability of her work, and should be left out.

History on the Ground is a useful book. It has many great ideas on how to overcome barriers to research in your local area (get on the top deck of a bus for a better look), and goes systematically through the various elements of the landscape which you should examine in local history fieldwork. However, don’t let it put you off doing your own research. What we know today has benefited from the input of amateur researchers, and will continue to do so for as long as the past is of wider interest. But it will continue to be subject to peer-review, from other amateurs as well as professionals , as how else can quality be maintained? And contrary to what Welsh implies, do join your local archaeology society, and learn from people who have been doing it for years, rather than making it up as you go along and moaning when others suggest you might be in error. And certainly don’t criticise techniques of a practice that you clearly know little about, and have no intention of learning from.

The English Semi-detached House, by Finn Jensen

The English Semi-detached House, by Finn Jensen

In complete contrast to this style is The English semi-detached house: how and why the semi became Britain’s most popular house type by Finn Jensen (Ovolo Publishing Ltd, 2007). Jensen has written a survey of the developments of the semi-detached house in England over the last 500 years, starting from the large urban villas of the elite, and the country cottages of the working class, and brings the history right up to date with the housing developments in large estates during the 20th Century. Thankfully he neglects to criticise others in his field, and concentrates on producing a systematic yet readable history of these much-loved buildings through the years.

As this blog post has become too long already, and is really more concerned with technique than book content, suffice to say that The English Semi-detached House is an excellent resource, particularly for those readers who are researching Liverpool, and perhaps their own house, themselves. Jensen is a researcher at Liverpool John Moores University, and along with areas of London and Chester, Liverpool suburbs feature heavily throughout the book in many of the 150 illustrations which fill its pages. Fig 1.1 is itself a pair of aerial photographs of West Derby, marking its 20th Century expansion, and the sheer number of semis in the area. Many more West Derby photographs appear, in addition to photos of Runcorn, Birkenhead and south Liverpool suburbs, so the Scouse reader is left with an extensive survey of his or her home turf!

Jensen was born in Denmark, yet grew up in an English semi, and his knowledge of the house form is detailed and wide-ranging. However, there is never the impression of his opinions getting in the way of the description, and the book is well referenced with a separate bibliography for each chapter.

I would heartily recommend this book to anyone researching the modern suburban landscape, in addition to those looking at the older, and often larger semis more often seen in wealthy London suburbs built in (for example) the Georgian period. Welsh’s book, on the other hand, should be approached with caution, lest you be distracted by his attacks on the profession which has clearly offended him. Read Local History on the Ground for it’s investigative technique, but not for its interpretative advice!

If you’ve any more books you’d recommend (or avoid!), then do let me know in the comments.

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